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I have always heard that Kustom heads were 'loud', but Loud on mine means uncasseptable distiortion levels. It has never been able to compete with any guitar amp beyond say.Fender Super. Also, head is noisy. People say it's old school Solid state.' Nature ofthe beast'.

1. Vintage Kustom Amps

I've had a number of those that sounded great in that cab and others that didn't. The optional speakers were the aforementioned JBL D140 F's and the Altec 421A's. I personally like the Altecs a little more than the JBLs. I see that you found your way to the Vintage Kustom site. Lots of good folks there and information.

These catalog numbers typically followed a number/letter format of X-XXL-X. The first number indicated the number of speakers [usually 1-4], the next two numbers indicated the size of the speakers [10, 12, 15, etc.], while the lone letter represented the brand of speaker [A for Altec Lansing, C for CTS, J for Jensen, and L for JBL]. Finally, the last number in the sequence indicated the aforementioned model number. Still with me? So, the “100” on the front of your Kustom tells us it’s a 100 series amp and has an approximate output of 50 watts. The “7” on the back means it has a model 7 chassis, which includes reverb, vibrato, and tremolo (the controls on the front also confirm this).

() ( A Kustom-Brand Police Radar gun. Hot Rod Cars are still a focus here, but the situation has changed dramatically. And yes the same man is responsible for both product lines. ( Since Kustoms are so iconic, there is a ton of information on the web regarding these artifacts and their very colorful and storied creator Bud Ross. Ever wonder what the connection was between Kustom and Kasino? And a gambling addiction? Promo branded halter-tops?

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Sheryl Crow (right) with Kustom amps Kustom abandoned the tuck-n-roll upholstery in the late 1970s. Around the same time the company also changed its logo to a bigger letter 'K.' Mesa Boogie 'Mark' series amplifiers appeared in the late 1970s generating a huge impact. Everyone wanted to clone the popular design, including Kustom Electronics.

Vintage Kustom Amplifier page. This Page Is for Vintage Kustom Tuck and Roll Collectors and Fans! How To Identify Vintage Guitar Speakers. Do you want to learn how to identify vintage guitar speakers? Welcome to the vintage Kustom amp site, VintageKustom.com. This site is dedicated to sharing the collective knowledge about the vintage Kustom Tuck-n-Roll Amplifiers of the mid 60's to early 70's, and their accessories.

Both up and down turn it on. That help at all? Oh yeah, the big K looks like this, but it is White and Filled In. K k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k Kustom III Bass At least the label kind of looks like that. No, it says underneath a big K Kustom III Bass. As for the other stuff, it has 2 channels. On first channel, I am going left to right.

But they're also just over 200 apiece. Now that I've sold my old Kustom K250 rig, I no longer have their website bookmarked, but I think it's They have all the old brochures from the late 60's and early 70's.

I even started a thread last night. You might want to contact the moderator or something for assistance with logging on. Daisy chaining is popular on tube amps. Taking a short cord and running from the unused jack on the channel you're plugged in to to one of the open jacks for the other channel. I use that trick on my Ampeg B25B and Fender Bassman tube heads with great success. I just tried it on the Kustom 250 rig that I have for sale for my friend. It made a little difference, but bumped up the ground hum too much.

Woodson Electronics, Inc. From was an independent business entity founded by Mike Woodson in the early 1970s (around the same time when Kustom was acquired by Gretsch). Mike was Bud's brother-in-law and all amps and P.A. Systems were manufactured in Bolivar.

Sealed might be better w/those as well as the Beta's, another fav for vintage replacements. Both the Delta and Beta get good reviews (see above), worth looking. If you're looking for that particular tone the JBLs generate, and they're rather unique, the Faital 15PR400s are very nice modern (and neo) near-substitutes.

I've been using it for both guitar and bass, and liking it a lot. I feel like I will be able to make an informed decision as to which speakers I prefer. Zon6c-f: This rig will be gigged. I'm in a 7-piece oldies/covers/few originals band. I can't honestly tell you the last time I saw a full or even half-stack at a gig. I usually play a 15w Pro Jr or 12w 5E3.if that gives any idea of the type of gigs I'm talking about it.

Probably best known for their unique tuck-and-roll amp covering that was offered in a variety of sparkly colors, Kustom was one of the first amp manufacturers to find success with solid-state technology in the 1960s. Hiren 39 s boot cd download windows 10. Hey Zach, I have one of these really cool Kustom amps (at least I think they’re cool), and I’ve always been curious about what the “100” on the front and “7” on the back indicate.

Here’s my pick of the best: Post navigation. They were made in Chanute, KS and sounded absolutely godawful for rockbut held up forever and looked cool if you are into tuck and roll. The car radar units had tuck and roll covering too when they were dash mounted. I used to calibrate and fix police radar.

I have been researching the Kustom 200 guitar. Most web sites state these were built for two years, from 1968-1970. I purchased a K200 cherry/orange sunburst with Bigsby tremolo new in 1967 (don't remember the month), but a small envelope mailed from Ross Inc. To the music store is dated June 14, 1967; so this must be one of the very first K200's to be manufactured. Does anybody have hard facts on how many of these guitars were built? And market prices for an original guitar with original case? I'm considering selling mine.

From bought the bankrupted Kustom in the late 1980s. In 1994, Hanser produced some small solid-state amplifiers featuring tuck-n-roll covering under the Kustom brand. These amps were manufactured in. From 1999 to 2001 Hanser continued producing Kustom brand tuck-n-roll amplifiers including a full tube guitar amplifier, 100W and a 50W solid state reverb amps called TRT100 and TRT50, a 400W hybrid bass amplifier TRB400H, as well as 2x12', 4x12' and 2x15' speaker cabinets in original tuck-n-roll style. List prices were in 2000: $999.95 (TRT100), $899.95 (TRT50), $899.95 (TRB400H) $399.95 (2x12'), $599.95 (4x12'), $749.95 (2x15'). Krossroad Since selling Ross, Inc.

The serial number for this unit is 79642 as advertised. The amp comes with the original Kustom black amplifier cover. This amp has been tested and it is in working order. The only issues it has is when reverb is turned on there is feedback. Also the right bass knob makes noise when adjusting position.

Just want to confirm this was manufactured in the Fall of 1969. Also, any chance a spec sheet or manual could be found online for this model? I am thrilled to have found this amp in such great condition.

I'm pretty sure this rig can hang with that. Also, Oren, I see you posted at Vintage Kustom. I cannot seem to log in there.

I also have a Peavey Max 115 and a Kustom KBA100 to compare with.and this old K200 seems right where it should be from a volume standpoint. Fed Ex seems to have lost one of my replacement speakers for the time being, so I'm in a bit of a holding pattern on that front. As far as your Bright input issue, I'd look at the caps and resistors on the jack and the ones associated with the bright/lo switch. Small update: Finally located my lost package. Kudos to Fed Ex and Parts-Express, they've handled it the way they should. I should have the other 15 tomorrow, so I should be able to swap out the speakers tomorrow night. The silver lining in all this is I've had a good chance to get to know the amp and cabinet while trying to track down this rogue package.

Download the twelve-page 1972 Kustom Electronics, INC catalog for their 150, 250, and 500-series guitar and bass amplifiers. DOWNLOAD: Kustom amps, with their ‘tuck and roll’ sparkle-Naugahyde upholstery covering, are a true icon of the rocknroll amplifier. Bud Ross took the idea of RocknRoll=hot rods to its logical conclusion with these things. Tuck and Roll custom hot-rod upholstery Interesting how well the Rock-Music/Hot-Rod connection worked in the 50s/early 60s. Consider the Gibson Firebird and Fender Stratocaster guitars, both of which had direct aesthetic relations to youth-favored automotive designs of the times. At right: the 1953 Buick Wildcat ().

Any volume beyond this resulted in distortion equal to Jack Bruce/ Felix Papplardi. I have one cabinet with 2- CTS; total ohmage @ 8 OHMS. Head is rated @100watts R M S; 50WATTS WITH In those days, my Lifetime Waranty was still inm effect; service was completed for free.no questions asked. However, that service tech is no longer around and Lifetime Warnty is no longer in efffect. Questions: 1) Does anyone know which/ what component is at fault in my Brite Switch Section? [ very low volume is discernable when Brite Switch is engaged, BTW] 2) Is there any remedy/ upgrade of component to make my head sound 'better'?

Senior Member If anyone wants the exact production date of your Kustom amp, please let me know the following info: Required 1) Serial number 2) Model number 3) Production code on top front frame of amp chassis - it is hard to read so please give me the different versions of what you think it says if you are not sure. 4) Color Optional (these can be used to verify that the production date is reasonable.) 5) Transformer date code 6) Pot codes - all of them, as the most recent date is the most important. 7) Date codes of any other parts that are more recent than the transformer or pot codes. I can identify about 80% of the production dates. Junior Member Hi, Les. I just bought the Kustom Amp below at a Guitar Center in Kansas City. It was a one owner and is in great condition and sound.

The Kustom amplifier chassis was made of steel. The cabinets used wooden frames. All were covered in a vinyl material known as naugahyde that was applied using a tuck and roll covering design. Naugahyde is a trademark of the Uniroyal company which was Kustom’s supplier. Beneath the vinyl was a poly-foam sheet. This was similar to what was being used in automobiles from that era.

Eventually the company branched out to produce organs, drums, microphones, and guitars. Charles 'Bud' Ross produced the first Kustom amp which comprised two fifteen inch speakers mounted side-by-side in a horizontal white sparkle cabinet with and a non-Frankenstein head. The first amp was built for a member of the Nebraska Hall of Fame and is now a featured display in the collection of Rainbow Recording Studios in Omaha, Nebraska. The company was owned by Bud Ross from 1964 until June 1972, when Ross sold it to Baldwin Pianos. The sale was finalized just prior to the 1972 Summer NAMM show where the metal/slant face Kustom amps were introduced. Later Bud Ross established a fairly lucrative business which manufactured police handheld radars.

Easy way was to point the antenna at the engine fan on the cruiser and rev the engine. They did make a few tube models which sounded about the same.

Series numbers are usually found on the front of the amp—under or behind the Kustom logo—and consist of values like 25, 50, 100, 200, and higher. Generally speaking, these numbers indicate the amount of power multiplied by two. For example, a 200 series amp means 100 watts of power. Model numbers are normally found on the serial-number plate located on the back of the amp, and they range from 1 to 8. The model number indicates the chassis used—with a higher number denoting more features—and repairmen relied on these numbers to know what chassis they were working on. Lastly, the catalog numbers were used in price lists and catalogs so a customer could order the exact amp he or she wanted.

K k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k Kustom III Bass At least the label kind of looks like that. I was just given one a few hours ago, so I got online to do some homework on it, and here I am. I just went to the VintageKustom.com site and looked up my serial. I have 209578, placing it early in 1979 production. What's your serial #? Check the bottom of the list, 'black tolex, black front/face' section, at These amps are somewhat coveted just for the preamp and fantastic tone control. There is a fantastic range of tone variations.

Vintage Kustom Amps

As a result, CCR concerts were superior in sound quality, but the cost of transporting the equipment made touring a money losing deal for the band. Hanser Re-issues Hanser Holdings, Inc.

The K250 cab (which dates to around 1971) had the chrome flared ports like your picture, they differ from the earlier cabs. Kustom was sold out a few years after the K250 cabs came out and the versions after Bud Ross sold the company were no longer tuck-and-roll. I concur with the cap size, I recall the stock ones were 4500 in mine.