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• Sarah Kane

SARAH KANE’S POSTDRAMATIC STRATEGIES IN BLASTED, CLEANSED. Crave, Postdramatic Theatre, Sarah Kane. Increasingly, I’m finding performance much more than. “Crave” by Sarah Kane – The Monologue “And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy’s and talk about the day and type.

1998 Crave Kane says 'I wanted to find out how good a poet I could be while still writing something dramatic'. 2000 4.48 Psychosis 4.48 is the time most suicides take place.

Main article: Her last play,, was completed shortly before she died and was performed in 2000, at the Royal Court, directed by James Macdonald. This, Kane's shortest and most fragmented theatrical work, dispenses with and character, and no indication is given as to how many actors were intended to voice the play. Written at a time when Kane was suffering from severe depression, it has been described by her fellow-playwright and friend as having as its subject the ' mind'. According to Greig, the title derives from the time—4:48 a.m.—when Kane, in her depressed state, frequently woke in the morning. Reception and legacy [ ] Though Kane's work never played to large audiences in the UK and was at first dismissed by many newspaper critics, her plays have been widely performed in Europe, Australia and South America. In 2005, the theatre director wrote that she was 'without doubt the most performed new writer on the international circuit'. Fellow-playwright has said her plays 'have almost certainly achieved canonical status'.

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Sarah Kane

This article needs additional citations for. Unsourced material may be challenged and removed. (August 2008) () Crave Written by Characters C, M, B and A Date premiered 13 August 1998 ( 1998-08-13) Place premiered, Original language English Setting Neutral Crave is a one-act play by British playwright. It was first performed in 1998 by the theatre company, with which Kane was writer-in-residence for the year, at the,. The play was initially presented under the pseudonym Marie Kelvedon; Kane used a pseudonym to avoid the distraction of her reputation for graphic staged violence from her previous works. Crave was Kane's fourth play.

She grew up in Germany in British Forces accommodation and returned to Britain at sixteen to complete her schooling. She was sent down from, after her first term, for an act of unspeakable in the college dining hall. She has had her short stories published in various European literary magazines and has a volume of poems Onzuiver ('Impure') published in Belgium and Holland.

At one point in Germany, there were 17 simultaneous productions of her work. In November 2010, the theatre critic of the described the SoHo Rep's 'shattering production' of Kane's Blasted (which had opened two years previously) as 'one of the most important New York premieres of the decade'.

It has four characters, each identified only by a letter of the alphabet. It dispenses with plot and unlike her earlier work, with its highly specific stage directions, gives no indication what actions, if any, the actors should perform on stage, nor does it give any setting for the play. As such, it may have been influenced by 's 1997 play, which similarly dispenses with setting and overall. Kane had written of her admiration for Crimp's formal innovations. The work is highly. At the time, Kane regarded it as the 'most despairing' of her plays, written when she had lost 'faith in love'. 4.48 Psychosis [ ].

Machine 5 presents Crave by Sarah Kane Winner of the 2014 New York International Fringe Festival Excellence Award for Directing. In this plotless play four characters known as A, B, C and M interact in a whirlwind of dialogues voicing ideas, emotions, memories and desires. Devoid of definitive interpretation and often cryptic, Crave is a poetic piece with distinct rhythm and musicality which I felt was an essential feature of the play.

This is not the usual stance for the director of a show, granted, but the truth is not so very far from the flippant. On the page, Crave can appear nigh-on impenetrable; four unnamed characters, all of whom seem to constantly switch both character and stylistic form, in a near narrative-free text. Where does one start? From the moment I first read the play, I knew there was something magical locked within it. The imagery is poignant, startling, original, savage, revelatory, beautiful and evocative - often all at the same time. Even without the relative security of a readily identifiable narrative structure, the fundamental element of theatre lies in the interaction of characters in a given time, place and space.

Sarah Kane Born ( 1971-02-03)3 February 1971, England Died 20 February 1999 (1999-02-20) (aged 28), England Occupation Playwright, poet Language Nationality Education Alma mater (BA) (MA) Literary movement Notable works (1995) (1995) (1998) (2000) Sarah Kane (3 February 1971 – 20 February 1999) was an English playwright. Her plays deal with themes of redemptive love, sexual desire, pain, torture—both physical and psychological—and death. They are characterised by a poetic intensity, pared-down language, exploration of theatrical form and, in her earlier work, the use of extreme and violent stage action. Kane herself, as well as scholars of her work, such as Graham Saunders, identify some of her inspirations as and. The critic Aleks Sierz has seen her work as part of what he has termed theatre, a form of drama which broke away from the conventions of. Kane's published work consists of five plays, one short film ( ), and two newspaper articles for. Contents • • • • • • • • • • • • • Life [ ] Born in, and raised by parents, Kane was a committed in adolescence.